more about the institute
A public festiville to celebrate the (im)possibilities of map making.
Become an expeditionist and explore particular niches within the cartopological practice.
Regain strength at 246 meters above sea level in the flattest country of Europe. Basic coffee, beverage and survival meals.
Named after the first woman to summit the Mont Blanc. This is where maps are being dissected.
Coming soon: the possibility to stay the night.
A mobile studio from where Dear Hunter’s field work is conducted. Applied cartopology at its finest.
Don’t leave the mountain empty handed. Here you’ll find the knick-knacks a cartopologist needs to map their way back home.
A map shelter for retired maps. We archive, store and restore all maps, without discrimination. Any status, size or quality. Come and contribute, borrow, study and admire.
Accompany-programs for explorations within the cartopological discipline. They are often prepared and set out in collaboration with universities and art academies.
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Oan d’n Hujel
Introduction
A refuge in the true meaning of the word. It might not be that harsh, cold and snowy at this altitude but still: whether you’re walking, hiking or riding your bike up the Vaalserberg, Aon d’n Hujel offers the perfect break and refreshment.
Did you know?
| The construction of shelters in Europe dates back to ancient times, when Roman roads ran over the mountain passes. In the High Middle Ages, hospitals were erected along trade routes; cottages and sheds on the high mountain pastures served Alpine transhumance. | The long history of alpinism from the 19th century onwards led to a large number of Alpine club huts and private huts along the mountain trails. The rise of tourism further increased the construction of staffed- and non-staffed huts and shelters in the Alps and elsewhere. |
Practical
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Aon d’n Hujel offers drinks and meals, depending on the season and availability. It is also the location for lectures, talks and other small events celebrating the (im)possibilities of map-making, maps in general and the relationship of maps with our surroundings. Opening hours of Aon d’n Hujel depend on weather conditions, other external factors such as the expected number of climbers and researchers on the Vaalserberg and staff availability. Drop us a message if you plan a trip or expedition and want to be sure of your well-deserved break. |
Location:
Aon d’n Hujel
Gemmenicherweg 36
NL-6291 BT Vaals
50.76,06.01
Maris Paradis Atelier
Introduction
What would an institute on maps be without an atelier in which maps are being investigated? Certainly not in institute on maps, no?
The Marie Paradis Atelier is the place where we take a closer look. Maps, from nearby or far away, old or new, digital or analog, are treated with patience, care and curiosity. Their meanings detected; their makers tracked. Experts and enthusiasts work together in getting a grip on the world through the maps that are being brought to the table, but also bring in their worldly savoir faire in putting them in perspective.
Background
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Portrait of Marie Paradis (1778-1839), ca. 1830, engraving. Origin unknown. |
days and was quite an ordeal: near the summit, dressed in a skirt, as the aesthetic and moral restrictions of the time demanded, Paradis suffered a severe case of altitude sickness. She slipped, fell, and suffered so much that at one point she begged her companions to throw her into the nearest crevasse to end her misery. |
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Marie Paradis (1778 – 1839) was the first woman to climb Mont Blanc. In 1808, Jacques Balmat and two other guides had decided to climb Mont Blanc for fun and training. Some say that it was Balmat who insisted that Marie Paradis would join them, but according to one account written by Alexandre Dumas, Paradis was the one who sought out the guide to ask to join the expedition he was leading, which included five men, all residents of Chamonix. Paradis was 30 years old at the time and worked as an innkeeper. On their way, she threw up and had nervous attacks, but insisted that she would die happy if she made it to the summit. The excursion lasted three
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But they did not abandon her: they helped pull and push her up the rest of the mountain. “I felt my legs give out and I asked Balmat to slow down,” she said in an interview with Dumas. Some accounts claim that she reached the summit on July 14, 1808, on the backs of her guides; others, however, say that she managed to reach the top on her own.
Nevertheless, she retains the title of the first woman to climb Mont Blanc. In The Annals of Mont Blanc, Edward Mathews notes that after her own successful ascent, residents of Chamonix celebrated her pioneering success, and Paradis was able to move into a house where, from then on, she would cook meals for expeditions returning from Mont Blanc. The second woman to climb Mont Blanc did so 30 years after her; when Henriette d’Angeville celebrated her successful ascent in Chamonix, she was congratulated by Paradis, who had received her special, personal invitation.
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Henriette d’Angeville during her ascent of Mont Blanc. Among the most famous female exploits was that of Henriette D’Angeville, the second woman on the summit of Mont Blanc, in 1838. she cuttingly claimed to be the first woman to summit Mont Blanc who was “still capable of remembering her impressions”. Of course she was referring to Marie Paradis, who had reached
About
Introduction
Many challenges of the 21st century have a spatial dimension. The climate change, the housing shortage, the migration crisis. We are continuously using maps to improve our understanding of these spatial challenges. And, we are (finally!) discovering that these complex challenges deserve a versatile approach. Maps cannot be left behind. If they are to remain a window to the outside world and its challenges, they will have to better represent its complexity.
How to get here
Gemmenicherweg 36
6291 BT Vaals
Consider the surroundings, do NOT come by car but by bus 350 (Aachen ↔ Maastricht), by bike or by foot.
Cartopology
| Cartopologists join the measurable and absolute geographical coordinates of a place with the daily reality that takes place. They do this by spending a long time at the place they map. Cartopologists literally engage the place, by inhabiting it for a time. Cartopology stretches up and merges cartographic documentation techniques with anthropological fieldwork methods such as participatory observation. Cartopology expands and enriches the impoverished representation on maps and does more justice to the complexity of reality. |  |
You are here
| A mountain viewed from above could be a circle, with the center point being the highest point of the mountain. Viewed from the side, the mountain could be a triangle, with one of the three points pointing upwards as the highest point of the mountain. The highest point of mountains is where many want to go. Cartopologists don’t. Cartopologists aim for the mountain faces. Where tectonic plates rub. Where the expert meets the enthusiast on its way to the summit. There where the forest reaches its tree line. There where life takes place, in all its diversity. The Institute of Cartopology is located halfway up the mountain, the Vaalserberg. The highest mountain in the Netherlands, at NAP+246. |  |
| Topview | Sideview | |
| For the Institute of Cartopology, the mountain is both a reality and a metaphor. You are now at NAP+246 altitude, on the Top View. There, like the ‘Capanna Regina Margherita’ in the Italian Alps, the Institute of Cartopology is a research institute as much as a visitor centre and a tourist destination. The Top View informs you about expeditions, the refuge, the Marie Paradis workshop and the opening hours of Aon d’n Hujel. |
You reach the Side View by clicking on the top right. It shows the mountain from the side. We are no longer on the actual Vaalserberg but looking at an imaginary mountain. This Side View provides a panoramic overview of the cartopological discipline. By walking up the mountainside, either by means of marked routes or by setting out your own paths, you learn more about cartopology and its scientific context. As it happens, you are walking into Marlies Vermeulen’s doctoral research. | |
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How we work
| The Institute of Cartopology has three fundamental cornerstones on which it builds its activities. | ||||
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| Publicly | In the making | For amateurs and experts | ||
| The Institute of Cartopology does not research and experiment on its own and behind closed doors but engages the public as a fundamental functional part of its research activities. | The Institute of Cartopology is particularly concerned with how maps are made. Methodology, practice, exercising, and experimentation is therefore at the heart of it. | Cartopological maps are at the intersection between science and art. But equally at the intersection between practical tool and autonomous object. They are read by professionals to reach the summit and used by walkers on the mountainside. Everyone concerned with the living environment therefore has an interest in the Institute for Cartopology. | ||
For who?
Correctionville
CORRECTIONVILLE is an annual festi-ville about maps. Free, but not without obligation*. Mapmakers, artists, cartographers, anthropologists, architects, hikers, ecologists, artists, mountaineers, policymakers, researchers and enthusiasts come together halfway up the mountain to celebrate the (im)possibilities of mapping.
* To allow residents and professionals to meet each other in a relaxed atmosphere, access to CORRECTIONVILLE is free, provided that the participant brings a self-chosen map. This encourages active participation and makes the event accessible to everyone.
| CORRECTIONVILLE is an annual festi-ville about maps. Free, but not without obligation*. Mapmakers, artists, cartographers, anthropologists, architects, hikers, ecologists, artists, mountaineers, policymakers, researchers and enthusiasts come together halfway up the mountain to celebrate the (im)possibilities of mapping. | *To allow residents and professionals to meet each other in a relaxed atmosphere, access to CORRECTIONVILLE is free, provided that the participant brings a self-chosen map. This encourages active participation and makes the event accessible to everyone. |
Correctionville #3
CORRECTIONVILLE is an annual festi-ville about maps. Free, but not without obligation*. Mapmakers, artists, cartographers, anthropologists, architects, hikers, ecologists, artists, mountaineers, policymakers, researchers and enthusiasts come together halfway up the mountain to celebrate the (im)possibilities of mapping.
* To allow residents and professionals to meet each other in a relaxed atmosphere, access to CORRECTIONVILLE is free, provided that the participant brings a self-chosen map. This encourages active participation and makes the event accessible to everyone.
Introduction
CORRECTIONVILLE is an annual festi-ville about maps. Free, but not without obligation*. Mapmakers, artists, cartographers, anthropologists, architects, hikers, ecologists, artists, mountaineers, policymakers, researchers and enthusiasts come together halfway up the mountain to celebrate the (im)possibilities of mapping.
* To allow residents and professionals to meet each other in a relaxed atmosphere, access to CORRECTIONVILLE is free, provided that the participant brings a self-chosen map. This encourages active participation and makes the event accessible to everyone.
Background
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The name ‘CORRECTIONVILLE’ comes from a town in Iowa, USA. Because the Earth is spherical, mapping the Earth on a two-dimensional grid (as on paper) is impossible. The lines of the grid fail sooner or later, requiring corrections to be made. Hence the name Correctionville: an important place for mapmakers and surveyors in the mid-19th century. The use of this name outlines the context of the festival. |
For the aforementioned problem, various projections offer a solution. Still, it is impossible to capture our rich environment in maps. All too often we relate to our environment through maps that only contains a fraction of the richness of reality. Just think of our frequent use of Google Maps. |
Google decides very precisely which things are on their maps and which are excluded. And, when planning a route, how often do we follow that blue line as if it were the only possible one? The challenging and complex reality we’re in cannot be understood or represented by maps that don’t do justice to it. That’s why CORRECTIONVILLE celebrates and encourages diversity within map-making practice. |
More Info
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Making and reading maps open-minded and thereby becoming more aware of our surroundings is only half of CORRECTIONVILLE. Creating and questioning it by exploring the environment together with other map-makers and readers is at least as crucial. That’s why the focus in CORRECTIONVILLE lies on making, sharing and learning in a collective way. |
To achieve the objectives, the right atmosphere is crucial. This can best be described as serious play. It is a fun, cozy festi-ville, where participants and audience are curious about each other. Every year, the program consists of workshops, studio sessions, presentations, exhibitions, expeditions, experiments and a map market. |
There’s personal service from a good coffee bar, pleasantly decorated spaces, the best ‘vlaai’ and lunch with local products. And all this less than a kilometer from the national border in one of the most imaginative environments: at 246+NAP, halfway up the Vaalserberg. |
Upcomming Edition
| The construction of shelters in Europe dates back to ancient times, when Roman roads ran over the mountain passes. In the High Middle Ages, hospitals were erected along trade routes; cottages and sheds on the high mountain pastures served Alpine transhumance. | The long history of alpinism from the 19th century onwards led to a large number of Alpine club huts and private huts along the mountain trails. The rise of tourism further increased the construction of staffed- and non-staffed huts and shelters in the Alps and elsewhere. | Making and reading maps open-minded and thereby becoming more aware of our surroundings is only half of CORRECTIONVILLE. Creating and questioning it by exploring the environment together with other map-makers and readers is at least as crucial. That’s why the focus in CORRECTIONVILLE lies on making, sharing and learning in a collective way. |
